Hey, Forbes: Your Content Isn't That Good

...and I'm just bailing.
You're fools, Forbes.
Labels: ad blocking, advertising, content, Firefox, Forbes, online tools

Labels: ad blocking, advertising, content, Firefox, Forbes, online tools
Quaker State, you disappoint me. This lazy, stupid, not funny campaign is not edgy, like you thought it was when you approved it. It's not turning heads and making people go, "Hell yeah!" I suspect that even guys who still change their own oil are not walking the aisles of Walmart or Autozone and going, "Heh. Just damn good oil. Yeah, that's the one for me." Most of those guys became loyal to their oil decades ago, and your in-your-face boast is not changing their minds.Labels: advertising, bad ads, bad branding, lazy, motor oil, Quaker State

Labels: ad blogs, advertising, art, asterisk, blogger, copywriting, Google, writing
Labels: advertising, advertising textbook, AMC TV, bloggers, books, Copyranter, journalism, Mad Men, ogilvy, publishing
Labels: advertising, Make the logo bigger, marketing, podcasting, podcasts, pop culture, Skype
Labels: advertising, CBS, freedom of speech, homemade comics, politics, public relations, religion, super bowl, Tim Tebow
He's eccentric, he loves the Far East, he's a fat old man of unknown orientation who doesn't do any work. His appearance in any scene signals that we're going to hear melancholic yearnings for the old days, when an agency founder could go to Singapore and buy a young boy for an entire week for mere pennies on the dollar. Always in the same suit, he is slightly cantankerous but is also an open-minded type, not quick to judge a man for stealing a dead man's identity. In today's world, he'd be the guy who spouts the phrase, "It's all good!" so often that you'd want to punch him in the Adam's apple.
Speaking of not doing any work, this silver-haired, silver-tongued devil is king of fucking off. He is a cheating, lying, back-stabbing bastard who thinks the world is a set designed for him to stroll onto. When he's not around, he imagines that those parts of the world he just visited cease to exist until he steps back into them. He drinks from dawn 'til dawn, and then gets on the phone and talks smooth to all of his women. He's an old-fashioned bastard, and he knows he's a bastard, and he's easily the most compelling character on the show.
Never has the term "mousy" been better applied than to this young lady. Trying to find her way in a big mean industry in a big mean city, the secretary turned copywriter summons more lip-biting, shoulders-back resolve per episode than Mary Tyler Moore fit into an entire career of playing similar "dames." Expect her to be at the forefront of the Womens' Movement in future seasons, only in an I'm-not-sure-about-this way.
Sniveling, blue-blood, baby-faced punkass bitch of an account man, the actor portraying this guy is playing it as if it were meant for the stage. Everything is over-acted. I think he's channeling Dave Foley from "News Radio" and "Kids in the Hall." His pathetic existence is enabled by his wife, who dotes on him like the Mommy he needs. He wore a black turtleneck in the wake of the Kennedy assassination and will likely be listening to the Beatles or trying to join the Black Panthers in future seasons. Personally, I would like to see him try marijuana, and then go all Reefer Madness and jump in front of a train.
The 1960s ideal of sexy, she's the voluptuous, big-hipped lady not afraid to shake it in that Ginger from "Gilligan's Island" way. Married to a dick who is about to die in Vietnam, (foreshadowing on this show is about as clumsy as a Will Ferrell movie) she has a smooth way with men and a cat-like instinct with the women, none of whom have the hips to challenge her dominance. She will have multiple men in her life, none of whom will satisfy her the way the extra-large, chrome "electric toy" she got in "the Village" does.
"Mad Men" wants to be on the edge of societal issues, so they threw in this dude so they could address bigotry or tolerance or whatever. (Nevermind the Black people in the elevator.) Played like some sort of sashaying stereotype, sympathy for this guy is not easy to find. He's the closeted gay, and the world of 1963 is full of aggressive guys who recognize his leanings and they're all ready to take his pants off and have their way with him. By next season, he will be considering a "pioneering surgery" that will "free him to be who he was born to be." All of the other characters will understand this decision and encourage him.
A fixture in every agency, he's the guy struggling to be the hippest dude who ever lived. He's into Black Jazz, weed, cool clothes, facial hair and progressive politics. He will be jamming at Open Mic nights soon, probably playing the bongos. Trouble is he has no talent, sucks as a writer and is always getting shown up by better people in lower positions. He's annoying, has no apparent love life and thinks he's better than everyone. I predict a major nervous breakdown followed by electro-shock therapy, returning to the agency as a janitor.
Every ensemble cast, from the war movie to the campus comedy, needs a chubby kid with glasses. Enter this guy, a character so undeveloped and nondescript that you wonder why he is even around. I'm not even sure what he does, other than make sure commercials get played on the TeeVee. He will be the guy that the neighbors talk about to the news reporters in phrases like, "He was a quiet man," and "I never expected he could do something this awful."
She never smiles, despises her own children, drinks, smokes and pops pills, and hates that her marriage to the flim-flam man robbed her of her rightful place as the debutante with a scepter and a crown. She's about to carry on an affair with a weasel politico that can only end in disaster; i.e. she gets pregnant as they break up and becomes that lady with lots of children with varying last names. Age will not be kind to her and a botched face-lift will doom her to a life in the country, where the local boys won't honor her with the title MILF, but instead refer to her as "the former Cougar with the stretched eyes."
His father, who appears to him in night visions to berate him, said, "Look at your hands! They're soft as a woman's! What do you make? You grow bullshit." That sums up the business quite nicely. Now that his sins are catching up to him, perhaps our lead character can finally grow a set, maybe go to the Keys and start Cap'n Dick's Fishing Charter, maybe settle down to a life of drinking and smoking that doesn't involve ruining every life he comes in contact with. I think we're supposed to be sympathetic toward this guy, the insecure man behind a mask of security, but his wandering and pondering are starting to grate.Labels: advertising, AMC TV, Mad Men, TV

Labels: advertising, art, creatives, graphic design, Mad Men, shorpy
Labels: advertising, beer, Beer ad, brand loyalty, Branding, fake advertising, Holidays, marketing
Aunt Mary also sent this fine can, which I will keep in a safe place, to be consumed for a future Christmas dinner in a post-apocalyptic, desolate landscape of starvation and chaos, where the roving bands of marauding, radioactive zombies seek people to rape and dismember; where the streets run red with the blood of the saints and any glimmer of hope is lost; where carols around Christmas trees are but bitter memories of our lives wasted in the pursuit of things we didn't need.Labels: advertising, cards, century of the self, christmas, documentaries, gifts, marketing
My local 7-11’s cast of clerk characters is pretty consistent. Not a lot of turnover at this store. One of the best is Babu, a man probably in his late 50s who is as sarcastic a person as I have ever met, so naturally I think he's great. I sometimes think the character of Apu on The Simpsons was based on Babu.Labels: 7-11, ad business, advertising, commentary, Southland Corporation
This blog has been getting a little political of late. I apologize to those who don't care for politics. Consider my fascination a temporary problem that will go away when all this bullshit stops. Or who knows, maybe I'm going into politics the same way I went into advertising: disgusted and determined that I can do a better job.Labels: advertising, campaigning, Fox News, Karl Rove, politics
Labels: ad business, advertising, homemade comics, Human Resources, Mad Men, sexual harrassment
Charles Blow has a great piece in today's New York Times blasting Obama for forgetting that politics, like advertising (same thing) is about slogans and gimmicks. He cites McCain's "Drill Here Drill Now" mantra as an effective example of how to jump ahead in the polls, "Because it was concise, catchy and positive."
Americans are stupid. We need gimmicks and junk, catchphrases and bullshit before we buy. "Drill Here Drill Now" is proof of this. I even saw a bumper sticker with the phrase this week. It's a phony policy that won't do a thing to make us "energy independent." But America believes it will. If you say it often and if you say it loud it becomes truth. Top it off with the House of Representatives stunt with all the "rogue" lawmakers demanding a Drill Here Drill Now vote and you've got a movement. While it is stupid to neglect Alaska's oil in the interest of saving some frickin' caribou - who are migratory! They'll MOVE! - most experts agree that all the oil in Alaska will make a very minor dent in our national consumption.Labels: advertising, America, Barack Obama, David Axelrod, John McCain, marketing, New York Times, Newt Gingrich, politics, rebranding, Sean Hannity, slogans
The very prolific Joker, of Why Advertising Sucks, has included me in his "20 on 20 series," in which he asks 20 bloggers 20 questions.Labels: ad blogs, advertising, randomness


Labels: advertising, lawyers, personal injury attorney, Verizon, Yellow Pages

Labels: advertising, lawyers, personal injury attorney, Yellow Pages
Local law enforcement recently came down on the Orlando Weekly for knowingly selling ad space to prostitutes. Seems a few AEs were fully aware of what sorts of businesses they were placing ads for, and even coached the ladies on what could and could not be said in the form of ad copy. ("I don't know if the phrase 'Happy Ending' is how we wanna go with this one, uh...you said your name was Candy?")
Click for a better view of the adsLabels: 7-11, ad sales, advertising, AEs, free publications, orlando, Orlando Weekly, print ads, prostitution

Labels: advertising, change agents, fine print, lyrics, myspace, where's my jetpack